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#WritersCoffeeClub Feb 20: How has a setting surprised you?

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    #WritersCoffeeClub Nov 29. What do you need to simplify in your work?Looks blankly at camera: why would I *WANT* to simplify my work?!?("Accessibility" is not "simplicity". There are things I can do to make any given work more accessible, and I usually try to do them in edit/redraft: but simplicity itself is boring, and I abhor it.)
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    #WritersCoffeeClub 17 Nov. What role does race play in your work?The concept of "race" is a vile 19th century shibboleth invented to support colonialism and to justify so-called "scientific racism". Human races are far less distinct than cultivars of broccoli or breeds of dog: we're all one hominin species.So I generally only use it in my fiction as a handy tag for "the character talking about this shit is misguided and/or has an evil agenda".
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    #WritersCoffeeClubFootnote: the space opera duology I'm currently writing is set so far in the future that humanity has speciated, and there's been a LOT of time for deliberate genetic modification.One consequence is that non-UV catalyzed Vitamin D synthesis is normal: everyone is dark, for UV protection. (Also, many hominins have a vacuum-exposure reflex that opens the ductus arteriosis and bypasses the lungs, maintaining blood oxygen levels for a few minutes—time to get to safety.)
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    Ooh I thought of another aspect of letters within fiction. A letter or any other text message is unlike dialog in that it persists to be re-read later, maybe not by the intended recipient, and can be loaded with hidden meanings that you wouldn't expect someone to pick up on or remember accurately if they heard the same words spoken.I used this twice in The Silk Mind, in a letter to the Badger Survey from Doctor Grey, and rather pointed diplomatic letters between him and Celandine.