@epilanthanomai interesting. i realized after i said i got it working i had inadvertently disabled the feedback to make it sound better. what sort of distance should f1 and f2 have?
@aeva Likely so. I have more experience reading spectrograms and theory, and less implementing it from scratch. The starting points I've read often skip the feedback system entirely and focus straight in on the two-pole resonant filter. A lot of the magic is in the psychoacoustics of the F1 and F2 resonant frequencies. You can make a lot of different waveforms sound like vowels with those.
The parachute sequence is absolutely too long, but it is genuinely really well done. The fact that it mostly exists to have an excuse to show a bunch of ladies with their skirts blowing in the wind is unfortunate considering the level of skill with which it was accomplished.
@Migueldeicaza I was surprised to learn it's the highest earning film Pitt has made. I don't think it's his best but it's probably in the top five. Very entertaining, a classic sort of film. A little long, but good pacing, anyway. And, in a world where nearly all blockbusters are made for children, it's refreshing to see a big action movie not based on a comic book.
@epilanthanomai interesting. i realized after i said i got it working i had inadvertently disabled the feedback to make it sound better. what sort of distance should f1 and f2 have?