I'm on three and a half years now of ~daily music recommendation posts here.
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What I'm listening to today: "1920263 Meditative Ambient Guitar and Synth Soundscape Behringer Wasp Deluxe Microcosm", CJT
This dude seems to do basically daily jams on his pile of midrange synths and post them all to YouTube. I liked this one out of the pile where a wasp provides a quiet heartbeat and he improvises a guitar solo over it. 1980s dark cinematic feel, empty streets and echoes and vague menace in the form of a young Willem Dafoe, waiting for you somewhere
What I listened to today: "Zero", Lamb
Whatever "Trip-Hop" was. Was a tension between pulling ideas out of lounge-y jazz-y genres from the 30s-60s to jam them into electronica, vs pulling ideas out of electronica and jamming them into lounge-y jazz. Which was the real thing? The answer seems to come in tracks like these where the musicians just say screw it and make a song with no electronics. This track's pure voice and violin and the vibes are enormous, it's wonderful
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What I listened to today: "Zero", Lamb
Whatever "Trip-Hop" was. Was a tension between pulling ideas out of lounge-y jazz-y genres from the 30s-60s to jam them into electronica, vs pulling ideas out of electronica and jamming them into lounge-y jazz. Which was the real thing? The answer seems to come in tracks like these where the musicians just say screw it and make a song with no electronics. This track's pure voice and violin and the vibes are enormous, it's wonderful
What I listened to today: "HEEL CENA", Westside Gunn
One more from the ringleader of the Buffalo, NY "Griselda" rap clique. The last one I linked was kinda surreal avant-garde but this is good solid hip hop basics. Fantastic flow and vivid production that feels like it's picking up what trip-hop set down. He has raps about how his kids like Minecraft.
Linking the Bandcamp version which has the bowlderized no-blood cover art. Last time Bluesky actually censored the link
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What I listened to today: "HEEL CENA", Westside Gunn
One more from the ringleader of the Buffalo, NY "Griselda" rap clique. The last one I linked was kinda surreal avant-garde but this is good solid hip hop basics. Fantastic flow and vivid production that feels like it's picking up what trip-hop set down. He has raps about how his kids like Minecraft.
Linking the Bandcamp version which has the bowlderized no-blood cover art. Last time Bluesky actually censored the link
What I'm listening to today: "Gold", Lamb (Autechre remix)
Æ used to do a lot more remixes and had this *fascinating* tendency to find a real particular vibe that resembled neither the source material nor Autechre's regular work but felt consistent with Autechre's other remixes. I really love the flip here about halfway through where the instrumentation suddenly pulls back and it's like an airplane bursting out of clouds or a train pulling out of a tunnel into the open
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What I'm listening to today: "Gold", Lamb (Autechre remix)
Æ used to do a lot more remixes and had this *fascinating* tendency to find a real particular vibe that resembled neither the source material nor Autechre's regular work but felt consistent with Autechre's other remixes. I really love the flip here about halfway through where the instrumentation suddenly pulls back and it's like an airplane bursting out of clouds or a train pulling out of a tunnel into the open
What I'm listening to today: "You and I are in a Dark Crypt Forever", Warlock Corpse
This somewhat defies description and it makes more sense to just watch five seconds and you'll get the idea. "Dungeon synth" music with metal drumming and 80s goth synths and a guy dressed like… some sort of troll? They went to the bother of putting fake VHS effects on it even though the equipment on the table clearly dates this performance to the 2020s. This is *really* fun actually
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What I'm listening to today: "You and I are in a Dark Crypt Forever", Warlock Corpse
This somewhat defies description and it makes more sense to just watch five seconds and you'll get the idea. "Dungeon synth" music with metal drumming and 80s goth synths and a guy dressed like… some sort of troll? They went to the bother of putting fake VHS effects on it even though the equipment on the table clearly dates this performance to the 2020s. This is *really* fun actually
What I'm listening to today: "Speed Learn", Tomaga
Got lost on Bandcamp and wound up listening to sleepy jazz for tired cats. Here is a machine gradually coming online, whirring wheels over tracks and indifferent buzzing and uncorrelated electronic blorps. It has some kind of meaning, hidden from you, in the firmware of the thing that blorp is issued at some meaningful moment, in a service manual not distributed outside the manufacturer its secret truth is revealed
https://handsinthedarkrecords.bandcamp.com/track/speed-learn
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What I'm listening to today: "Speed Learn", Tomaga
Got lost on Bandcamp and wound up listening to sleepy jazz for tired cats. Here is a machine gradually coming online, whirring wheels over tracks and indifferent buzzing and uncorrelated electronic blorps. It has some kind of meaning, hidden from you, in the firmware of the thing that blorp is issued at some meaningful moment, in a service manual not distributed outside the manufacturer its secret truth is revealed
https://handsinthedarkrecords.bandcamp.com/track/speed-learn
What I'm listening to today: "#feedbackuary ...Crystal Cherry Blossom Caverns... [Pulsar-23] [Enner] [Blackhole]"
Slow 80s-style-industrial music based on a pile of idiosyncratic SOMA equipment and a musician playing a cracklebox like a violin. Run harsh buzzy noises into a big enough echo pedal and they take on this smooth fluid sound. The mood of a journey through a cursed, destroyed world, hunkering with your weapons in the back of a pickup truck, wind howling past
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What I'm listening to today: "#feedbackuary ...Crystal Cherry Blossom Caverns... [Pulsar-23] [Enner] [Blackhole]"
Slow 80s-style-industrial music based on a pile of idiosyncratic SOMA equipment and a musician playing a cracklebox like a violin. Run harsh buzzy noises into a big enough echo pedal and they take on this smooth fluid sound. The mood of a journey through a cursed, destroyed world, hunkering with your weapons in the back of a pickup truck, wind howling past
What I'm listening to today: "Up Up", Li Yilei
Li Yilei is a really interesting electronic artist from Shanghai, currently operating out of London; this is from their first release "Unabled Form". Slowly building ambient/cinematic object that is either menacing like an abandoned factory or comforting like a cold winter day, depending on your inclinations. Yilei excels at this sort of data sculpture, a space made of noises that presents a narrative as you move through it
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What I'm listening to today: "Up Up", Li Yilei
Li Yilei is a really interesting electronic artist from Shanghai, currently operating out of London; this is from their first release "Unabled Form". Slowly building ambient/cinematic object that is either menacing like an abandoned factory or comforting like a cold winter day, depending on your inclinations. Yilei excels at this sort of data sculpture, a space made of noises that presents a narrative as you move through it
What I listened to today: 2024-05-22 Mastodon post, Autechre
Sean Booth of Æ has a Fediverse account and one day last year posted this gorgeous outtake from Oversteps (which I still consider Æ's most risk-taking album). It's kind of breathtaking, utterly unlike Æ, a labyrinth of classical spanish guitar, while also quintessentially Æ and very "yeah that, that's an Oversteps track". I think of this as a cousin to known(1) but I feel shadows of other songs of that era too
https://data.runhello.com/blj/autechre_oversteps_outtake_sean_mastodon_20240522.mp3
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What I listened to today: 2024-05-22 Mastodon post, Autechre
Sean Booth of Æ has a Fediverse account and one day last year posted this gorgeous outtake from Oversteps (which I still consider Æ's most risk-taking album). It's kind of breathtaking, utterly unlike Æ, a labyrinth of classical spanish guitar, while also quintessentially Æ and very "yeah that, that's an Oversteps track". I think of this as a cousin to known(1) but I feel shadows of other songs of that era too
https://data.runhello.com/blj/autechre_oversteps_outtake_sean_mastodon_20240522.mp3
What I'm listening to today: "Southside", Lil Keke
What if I spent this entire week linking classic "dirty south" hip-hop tracks I loved from 97.9 The Box back in the 90s (which, I am visiting Houston this week and their selection is still excellent). No one could really stop me.
Here's known DJ Screw associate Lil Keke, dropping an effortless flow that stuck in my head for 29 years and my favorite instance of slide guitar in the entire corpus of music. Sorry Beck
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What I'm listening to today: "Southside", Lil Keke
What if I spent this entire week linking classic "dirty south" hip-hop tracks I loved from 97.9 The Box back in the 90s (which, I am visiting Houston this week and their selection is still excellent). No one could really stop me.
Here's known DJ Screw associate Lil Keke, dropping an effortless flow that stuck in my head for 29 years and my favorite instance of slide guitar in the entire corpus of music. Sorry Beck
What I'm listening to today: "Ghetto D", Master P
Master P put No Limit Records on the map, and made New Orleans the new capital of southern hip hop, with "Ghetto Dope", an *incredibly* catchy step-by-step guide to the production, distribution, and sale of crack cocaine. This unstoppable hit could not possibly get played on the radio, leading to this *incredibly* funny radio edit which is cut up to almost near illegibility making it sound like "Ghetto D" is a rapper
Gli ultimi otto messaggi ricevuti dalla Federazione
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@ciccillo i computer sono nella stessa rete? Se sí, e se CUPS è configurato per condividere le stampanti, le vede anche l'altro computer automaticamente via Zeroconf / avahi
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@nachocarreras come se l'uranio non si importasse dalla.... Russia!
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@ugone non sapevo che capanna margherita non fosse in valle. Si impara sempre qualcosa!
Più facile metterne uno qui https://it.wikipedia.org/wiki/Bivacco_Luigi_Pascal
ma temo troppo freddo per le batterie di un nodo autosufficiente. @GustavinoBevilacqua
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As a software engineer and engineering manager, I am mildly concerned for my employability in the future. However, I've had a good career, with much more luck than I deserve. People in my profession have been notably pampered and paid extremely well. As automation turns its Sauron-like eye to my own industry, it's hard to say with a straight face that we have been unfairly treated. I also think that there are, and will be for the foreseeable future, a lot of options for people who like to code.
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@GustavinoBevilacqua mia nonna ogni giorno mi mandava dal prestinaio a prendere le michette (lei lo diceva in milanese)
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I think that using LLMs to create text, images, video or code is an empowering technology for a lot of people. I think especially with code, it gives people who don't code and who've never had control over their computing experience more agency in their life and work. I think that's a net positive result.
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@davep That's OK, you don't have to.
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I generally don't like LLM-generated images or video. I mostly don't like LLM-generated text -- it's usually flat, wordy, and full of business jargon. I don't use LLMs for either of these things.
