Ben Nichols - In The Heart of The Mountain (2025) - #19/24
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Ben Nichols - In The Heart of The Mountain (2025) - #19/24
[...] L’assenza di quella catarsi punk rock che spesso animava la struttura musicale con i Lucero è sostituita dai chiaroscuri del folksinger, pur sempre in abiti elettrici e con quella sua inconfondibile aspra vocalità, alternando momenti epici e in chiave dark ad altri di natura più malinconica, chiedendo uno sforzo in più all’ascoltatore.
Ascolta il disco: https://album.link/s/2HG2WykHSfA58MhREKKP2C
Gli ultimi otto messaggi ricevuti dalla Federazione
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@MelaNews confermo da cliente iliad la mia piena soddisfazione e il mio dispregio quale vecchio cliente a tim e wind
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@benjamin @STPo Il était prof de journalisme à la Sorbonne et a écrit 3 bouquins... c'est juste honteux
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@aeva @halcy yep, absolutely. compare to minecraft, whose larger part was done by just one person (hatsune miku), and so you get this systems driven open world game where all systems overlap interplay and relate to each other in a way only someone who doesn't have to coordinate dozens of teams could set up.
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@lritter @halcy a fun thing about making massive worlds with hundreds of people working together in parallel is you have to favor modular designs that require less synchronization between teams, for the same reason you try to avoid it in parallel programs. I think that's why Nintendo abandoned the classic Zelda structure and the new Zelda's all have modular gameplay systems, for example.
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L’UE ora punta sulla diplomazia migratoria. A partire dalla stretta sui visti per chi non coopera sui rimpatri
@news
https://www.eunews.it/2026/01/29/lue-ora-punta-sulla-diplomazia-migratoria-a-partire-dalla-stretta-sui-visti-per-chi-non-coopera-sui-rimpatri/
La Commissione europea presenta ha indicato le priorità nella gestione della migrazione irregolare per i prossimi cinque anni. Tra cui "utilizzare incentivi e leve in tutti i settori e ambiti politici, quali la politica dei
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@aeva @halcy in fact i think the primary reason to play a typical western AAA game is to experience a setpiece with detailed realism, and then only after that come the mechanics, how you actually spend your time there, and they feel kind of bolted on.
compare this to e.g. super mario 3d world, where being able to parse the scene quickly is crucial to a good experience, and so all visual design flows around this goal of enabling the mechanics.
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@halcy imagine though trying to make, say, Call of Duty with Project Gold's digital painting tool. The results would probably look amazing tbh, but it wouldn't look like Call of Duty.
