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#WritersCoffeeClub 3/Jan: How do you come up with the titles for your works?

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    #WritersCoffeeClub 17 Nov. What role does race play in your work?The concept of "race" is a vile 19th century shibboleth invented to support colonialism and to justify so-called "scientific racism". Human races are far less distinct than cultivars of broccoli or breeds of dog: we're all one hominin species.So I generally only use it in my fiction as a handy tag for "the character talking about this shit is misguided and/or has an evil agenda".
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    #writerscoffeeclub Oct 16. How much does your working vocabulary change between works? One of my editors once observed, "every SF or fantasy author redefines the English language from scratch in every novel". It's about more than just calling a rabbit a smeerp: we assign new meanings to existing vocabulary.(The working language may be standardized within a series, but between stand-alones and series works I have to purge my autocorrect and spelling checker dictionaries!)
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    Ooh I thought of another aspect of letters within fiction. A letter or any other text message is unlike dialog in that it persists to be re-read later, maybe not by the intended recipient, and can be loaded with hidden meanings that you wouldn't expect someone to pick up on or remember accurately if they heard the same words spoken.I used this twice in The Silk Mind, in a letter to the Badger Survey from Doctor Grey, and rather pointed diplomatic letters between him and Celandine.
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    #WritersCoffeeClub day 17: Should modern writers worry about proving their work is not generated by an LLM?I think they should only worry about it to the extent that they'd previously have worried about proving that their work wasn't plagiarized. Like, if seriously challenged (usually by one's publisher, not by some rando), it's good to be able to produce prior drafts or other artifacts of creation.But that's about all. 1/6