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#WritersCoffeeClub (Sep) 1: Intro: Shameless Self Promotion.

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    #WritersCoffeeClub 25 NovWhat are some tips you can share to avoid 'clunky' phrasing?Everybody's suggesting reading your work aloud, but I disagree: prose fiction should not focus on replicating speech, but on conveying meaning. It's a separate art form from the spoken word and should be treated as such. Splitting long sentences so that they're readable aloud is a shibboleth of modern editorial fashion that focuses on accessibility and market share, meeting the needs of "young adult" readers.
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    #writerscoffeeclub Oct 16. How much does your working vocabulary change between works? One of my editors once observed, "every SF or fantasy author redefines the English language from scratch in every novel". It's about more than just calling a rabbit a smeerp: we assign new meanings to existing vocabulary.(The working language may be standardized within a series, but between stand-alones and series works I have to purge my autocorrect and spelling checker dictionaries!)
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    Ooh I thought of another aspect of letters within fiction. A letter or any other text message is unlike dialog in that it persists to be re-read later, maybe not by the intended recipient, and can be loaded with hidden meanings that you wouldn't expect someone to pick up on or remember accurately if they heard the same words spoken.I used this twice in The Silk Mind, in a letter to the Badger Survey from Doctor Grey, and rather pointed diplomatic letters between him and Celandine.
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    It's a losing battle, and it's one that isn't worth fighting in the first place, because the only people you're trying to convince are ones who *can't even recognize decent writing when they see it*. They're people who can say, with a straight face, that *lists of three* are signs of AI‽ As if they haven't heard every Tom, Dick, and Harry talk about "baseball, motherhood and apple pie" or "life, liberty, and the pursuit of happiness" before? 5/6#WritersCoffeeClub