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Last year I finished working my way through all the Best Picture winners.

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  • The Tree of Wooden Clogs (1978)

    A meditative, almost languid slice of life of late 19th century Lombard peasants. I found it surprisingly gripping -- I think because the cinematography was an amazing balancing act of being entirely understated and naturalistic while still somehow making every frame look like the work of an old master.

    The Tin Drum (1979)

    A very strange movie, with some incredibly uncomfortable scenes. There was a surrealism to it I liked, but it never quite leaned into that. There were some sweeping historical epic elements that I also liked, but it couldn't really commit to those either. There was a holy fool, and I love holy fools, but he isn't used very well. I dunno. Maybe don't put 11 year old actors in explicit sex scenes, even if they are playing a 16 year old?

    Anyway, I'm now done with the 1970s.

  • The Tin Drum (1979)

    A very strange movie, with some incredibly uncomfortable scenes. There was a surrealism to it I liked, but it never quite leaned into that. There were some sweeping historical epic elements that I also liked, but it couldn't really commit to those either. There was a holy fool, and I love holy fools, but he isn't used very well. I dunno. Maybe don't put 11 year old actors in explicit sex scenes, even if they are playing a 16 year old?

    Anyway, I'm now done with the 1970s.

    Missing (1982)

    Jack Lemmon tries to uncover what happened to his son who was disappeared in the Chilean coup, slowly realizing the extent of the US involvement and how naive his trust in his own government was. Intense and searingly painful at times. Lemmon really didn't get enough credit as a dramatic actor, because he was absolutely brilliant in this.

    Oh, and since there was some surprise expressed that we still have a real video store in Seattle, here is it (minus a few rooms behind the camera) in all its glory. I'm so glad we've managed to keep it open this long -- and hopefully the tide is turning on physical media enough that maybe it can survive someday without fundraisers.


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