#WritersCoffeeClub (Sep) 1: Intro: Shameless Self Promotion.
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#WritersCoffeeClub Day 30: If you're a pantser, have you tried plotting and vice versa?
I *think* I'm kind of in the middle? I've definitely done a fair amount of plotting, and a fair amount of pantsing.
#WritersCoffeeClub Day 1. Front Cover> Do you know what kind of cover you'd like for your WIP, or do you only know when it's finished? Share an example if you have one.
There was a question about how you envision your book's cover in WritingWonders, back before it was renamed. I said (at https://wandering.shop/@kagan/110107052596945004) that mine definitely needed some recognizable San Francisco skyline or setting, but I wasn't sure beyond that. That answer hasn't changed in the intervening 15 months. 1/2
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#WritersCoffeeClub Day 1. Front Cover> Do you know what kind of cover you'd like for your WIP, or do you only know when it's finished? Share an example if you have one.
There was a question about how you envision your book's cover in WritingWonders, back before it was renamed. I said (at https://wandering.shop/@kagan/110107052596945004) that mine definitely needed some recognizable San Francisco skyline or setting, but I wasn't sure beyond that. That answer hasn't changed in the intervening 15 months. 1/2
It's gotta have San Francisco. Aside from that, I don't know if it needs any of the human characters or not — my assumption is that people respond better to covers that have human figures and particularly faces on them, but I'm not positive whether market research bears that out, and I've seen some book covers with really good designs that had no people in them.
Anyway, creating the cover design is something I mostly plan to leave to someone else — someone who's better at it than I am. 2/2
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It's gotta have San Francisco. Aside from that, I don't know if it needs any of the human characters or not — my assumption is that people respond better to covers that have human figures and particularly faces on them, but I'm not positive whether market research bears that out, and I've seen some book covers with really good designs that had no people in them.
Anyway, creating the cover design is something I mostly plan to leave to someone else — someone who's better at it than I am. 2/2
#WritersCoffeeClub Day 2. Half Title> When you complete your WIP, do you intend to have a Half Title (Bastard Page)? How do you feel about them?
I never heard of them before. I just looked up what they are, and I honestly don't give a damn. (Some sources speculate they're used to get the total number of pages to be a multiple of 16 when needed, for the binding process; if so, then I don't mind having or not having one based on my page count.)
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#WritersCoffeeClub Day 2. Half Title> When you complete your WIP, do you intend to have a Half Title (Bastard Page)? How do you feel about them?
I never heard of them before. I just looked up what they are, and I honestly don't give a damn. (Some sources speculate they're used to get the total number of pages to be a multiple of 16 when needed, for the binding process; if so, then I don't mind having or not having one based on my page count.)
#WritersCoffeeClub Day 3. Title> Do you have a title for your WIP or just a working title. Please share. How do you decide on a title?
I don't even have a working title. It's really just "the book", "the San Francisco book" or "the city shamans book" in my head.
A couple of days ago in WordWeavers, I called it TITLE_TK. (https://wandering.shop/@kagan/112712428429386445) I really don't have anything else to call it. The one thing I did come up with once, I immediately rejected as wrong.
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#WritersCoffeeClub Day 3. Title> Do you have a title for your WIP or just a working title. Please share. How do you decide on a title?
I don't even have a working title. It's really just "the book", "the San Francisco book" or "the city shamans book" in my head.
A couple of days ago in WordWeavers, I called it TITLE_TK. (https://wandering.shop/@kagan/112712428429386445) I really don't have anything else to call it. The one thing I did come up with once, I immediately rejected as wrong.
#WritersCoffeeClub Day 4. Front Matter> Do you have standard front matter (copyright, TOC, promotion, etc.) that you'll apply to this WIP, or does it vary between projects? Share your design.
I'll leave that up to the publisher. I hope* to title the chapters, and if so, I'll recommend that there be a TOC (as long as none of the chapter titles turn out to be spoilers!). Otherwise, I'm fairly apathetic.
* Hope to. Might not be able to. Titles are tough for me. See yesterday's post.
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#WritersCoffeeClub Day 4. Front Matter> Do you have standard front matter (copyright, TOC, promotion, etc.) that you'll apply to this WIP, or does it vary between projects? Share your design.
I'll leave that up to the publisher. I hope* to title the chapters, and if so, I'll recommend that there be a TOC (as long as none of the chapter titles turn out to be spoilers!). Otherwise, I'm fairly apathetic.
* Hope to. Might not be able to. Titles are tough for me. See yesterday's post.
#WritersCoffeeClub Day 5. Font and Format> Do you have a favourite font you'll use for the WIP? How do you format the paragraphs, chapters, scene breaks, etc?
Again, I plan to have a publisher who isn't me (because publishers can do *marketing*, which I both hate doing *and* am bad at). I assume the publisher will have fonts and formats they prefer, and I don't have strong feelings about those. (Except that it should be easy to read. For Goddess' sake, serif fonts for long, printed passages!)
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#WritersCoffeeClub Day 5. Font and Format> Do you have a favourite font you'll use for the WIP? How do you format the paragraphs, chapters, scene breaks, etc?
Again, I plan to have a publisher who isn't me (because publishers can do *marketing*, which I both hate doing *and* am bad at). I assume the publisher will have fonts and formats they prefer, and I don't have strong feelings about those. (Except that it should be easy to read. For Goddess' sake, serif fonts for long, printed passages!)
#WritersCoffeeClub Day 6. Prologue> Does/will your WIP have a prologue. Share a snippet if you've written one. How do you feel about prologues?
Nope, this one starts off by getting right into... well, not *action* exactly, it's more of an internal event. But the book plunges into that without any prologue.
I don't mind them on principle, but this book doesn't want or need one.
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#WritersCoffeeClub Day 6. Prologue> Does/will your WIP have a prologue. Share a snippet if you've written one. How do you feel about prologues?
Nope, this one starts off by getting right into... well, not *action* exactly, it's more of an internal event. But the book plunges into that without any prologue.
I don't mind them on principle, but this book doesn't want or need one.
#WritersCoffeeClub Day 7. Structure> Do you structure your WIP into chapters/sections as you write? Do you use Epigraphs?
I'm not at the writing stage yet, more outlining, but yes, I'm already structuring the story/outline into chapters. Partly because I change character POVs from chapter to chapter, so knowing whose chapter it is determines what events I can and can't tell.
This book doesn't seem to want epigraphs. I might use them in a future project; I'll see.
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#WritersCoffeeClub Day 7. Structure> Do you structure your WIP into chapters/sections as you write? Do you use Epigraphs?
I'm not at the writing stage yet, more outlining, but yes, I'm already structuring the story/outline into chapters. Partly because I change character POVs from chapter to chapter, so knowing whose chapter it is determines what events I can and can't tell.
This book doesn't seem to want epigraphs. I might use them in a future project; I'll see.
#WritersCoffeeClub Day 8. First Line> Share the opening of your work. First line or paragraph, Your choice.
I don't have the specific prose yet (still outlining, as per yesterday), but it will start with the bells of the San Francisco Ferry Building chiming the half-hour. The sound rolls over various Downtown landmarks, and also over Jessie Nakamura, one of my MCs.
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#WritersCoffeeClub Day 8. First Line> Share the opening of your work. First line or paragraph, Your choice.
I don't have the specific prose yet (still outlining, as per yesterday), but it will start with the bells of the San Francisco Ferry Building chiming the half-hour. The sound rolls over various Downtown landmarks, and also over Jessie Nakamura, one of my MCs.
#WritersCoffeeClub Day 9. Chapter 1: Setting the Scene> Is your WIP's first chapter or section indicative of the whole work?
I think the first chapter's indicative of one of the strands of the work. The second chapter is a definite shift in tone and style, introducing a few other characters in a way that complements what happened in the first chapter. Chapter 3 then introduces *other* characters, and lays down a third strand of the whole. 1/2
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#WritersCoffeeClub Day 9. Chapter 1: Setting the Scene> Is your WIP's first chapter or section indicative of the whole work?
I think the first chapter's indicative of one of the strands of the work. The second chapter is a definite shift in tone and style, introducing a few other characters in a way that complements what happened in the first chapter. Chapter 3 then introduces *other* characters, and lays down a third strand of the whole. 1/2
That stuff builds up the first section — the book seems to be arranging itself into a three-act structure, and I'm not fighting it. There is going to be a definite tonal shift at the end of act 1, but that's kind of the nature of three-act stories, right? So, "the whole work" is constantly shifting in tone, but I think — and truly hope — it's in ways that grow logically from what's gone before, and that won't confuse my readers. 2/2
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That stuff builds up the first section — the book seems to be arranging itself into a three-act structure, and I'm not fighting it. There is going to be a definite tonal shift at the end of act 1, but that's kind of the nature of three-act stories, right? So, "the whole work" is constantly shifting in tone, but I think — and truly hope — it's in ways that grow logically from what's gone before, and that won't confuse my readers. 2/2
#WritersCoffeeClub Day 10. Chapter 1: Characters> Do we meet any significant primary or secondary characters in the first chapter of your WIP. Who are they?
Yes, the book opens with Jessie Nakamura being introduced in either the second or third paragraph. Then her mentor, Ángel Castillo, shows up maybe a page later. Those are two of the central 5 MCs.
Also, the very first paragraph "introduces" San Francisco, who is a critically important character. I'm not remotely joking about that.
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#WritersCoffeeClub Day 10. Chapter 1: Characters> Do we meet any significant primary or secondary characters in the first chapter of your WIP. Who are they?
Yes, the book opens with Jessie Nakamura being introduced in either the second or third paragraph. Then her mentor, Ángel Castillo, shows up maybe a page later. Those are two of the central 5 MCs.
Also, the very first paragraph "introduces" San Francisco, who is a critically important character. I'm not remotely joking about that.
Addendum: We also "meet" Jessie's mom, sort of; Jessie has a phone conversation with her. That counts, right? Anyway, she's a side character of middling importance, despite having fairly little "screen time".
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Addendum: We also "meet" Jessie's mom, sort of; Jessie has a phone conversation with her. That counts, right? Anyway, she's a side character of middling importance, despite having fairly little "screen time".
Holy crap, I completely forgot to post my #WritersCoffeeClub entry yesterday! 🤦🏻 I'll take care of that, and then today's. Ugh, I feel so stupid.
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Holy crap, I completely forgot to post my #WritersCoffeeClub entry yesterday! 🤦🏻 I'll take care of that, and then today's. Ugh, I feel so stupid.
#WritersCoffeeClub Day 11. The Main Cast> Introduce your main cast of characters with just a short line for each. For example, Sam is a test pilot who fears heights.
👩🏽 Jessie Nakamura is facing 30 and flailing to try to find her place in the world, when San Francisco shows her that magic is real.
🧑🏽 Ángel Castillo, Jessie's magical mentor, is a fashionable wizard who knows nearly everyone in San Francisco's magical world. 1/2
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#WritersCoffeeClub Day 11. The Main Cast> Introduce your main cast of characters with just a short line for each. For example, Sam is a test pilot who fears heights.
👩🏽 Jessie Nakamura is facing 30 and flailing to try to find her place in the world, when San Francisco shows her that magic is real.
🧑🏽 Ángel Castillo, Jessie's magical mentor, is a fashionable wizard who knows nearly everyone in San Francisco's magical world. 1/2
👩🏽 Their friend Margot Chu, a noir-loving martial artist, knows the City's tiniest alleys like a Hammett character.
👱🏻♂️ David Hartmann is newly arrived in the City, a programmer enjoying the hottest clubs — and guys — of the Castro as he learns magic from Margot.
🧔🏻 And Carlos Velázquez, the scholar who can research any mystery, dreams of being a more physical hero. 2/2
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👩🏽 Their friend Margot Chu, a noir-loving martial artist, knows the City's tiniest alleys like a Hammett character.
👱🏻♂️ David Hartmann is newly arrived in the City, a programmer enjoying the hottest clubs — and guys — of the Castro as he learns magic from Margot.
🧔🏻 And Carlos Velázquez, the scholar who can research any mystery, dreams of being a more physical hero. 2/2
#WritersCoffeeClub Day 12. Main Plot> (Learn early, or unfolds gradually? Snippet?)
It unfolds gradually, as the MCs (and the readers) slowly learn more and more about the villains' plans.
One very quick plot snippet: when three MCs raid the Big Bad's lair in chapter 2, they expect to find a magical artifact he's created, one that they're sure would allow him to control the minds of the Board of Supervisors and probably the Mayor. 1/2
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#WritersCoffeeClub Day 12. Main Plot> (Learn early, or unfolds gradually? Snippet?)
It unfolds gradually, as the MCs (and the readers) slowly learn more and more about the villains' plans.
One very quick plot snippet: when three MCs raid the Big Bad's lair in chapter 2, they expect to find a magical artifact he's created, one that they're sure would allow him to control the minds of the Board of Supervisors and probably the Mayor. 1/2
But they don't find that. It appears to be elsewhere. Instead, they *do* find a magical tome of great power, and so they have to try to figure out what he's planning with that. (As well as the aforementioned artifact, which they still have good reason to believe exists... but where?) 2/2
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But they don't find that. It appears to be elsewhere. Instead, they *do* find a magical tome of great power, and so they have to try to figure out what he's planning with that. (As well as the aforementioned artifact, which they still have good reason to believe exists... but where?) 2/2
#WritersCoffeeClub Day 13. Story Inspiration> What inspired you to tell the story in your WIP.
Living in San Francisco, and loving city life and the way cities feel so alive, and poking my nose into all the magical, secret little places in San Francisco.
And seeing how much San Francisco is at a crossroads right now.
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#WritersCoffeeClub Day 13. Story Inspiration> What inspired you to tell the story in your WIP.
Living in San Francisco, and loving city life and the way cities feel so alive, and poking my nose into all the magical, secret little places in San Francisco.
And seeing how much San Francisco is at a crossroads right now.
#WritersCoffeeClub Day 14. Setting> Where is your WIP set? Why did you choose this setting? Describe your world-building.
San Francisco, present day — except with the addition of people who can talk to the living City, and of magic that it can teach them.
I chose it because I lived there and loved it. The world-building was simply adding the magic system, and the society of people who can do it, and slipping all those things into the cracks so it blends in with our own world.
Gli ultimi otto messaggi ricevuti dalla Federazione
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It is soooo satisfying to continue ditching/purging enshittified Microsoft, Adobe, etc. products for high quality open-source software without missing a beat. Things like LibreOffice, Gimp, OmniTools, etc.
And to be clear, I’m a LaTeX person. I’ve never seriously used that weird thing called Word.
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Intanto sono a caricar la Tesla al supercharger …. Ma diamine sono fuori autostrada in luoghi improbabili (parking di un centro commerciale chiuso , vista l’ora) : mettete un semplice distributore di bottiglie d’acqua ! 🤷🏻♂️ però 44ct al kWh invece di 85/90 in autostrada agli autogrill ….e funzionano meglio !
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Sirmione. Paesaggisticamente bellissima, peccato sia sempre più iper turistica. Gitarella di fine estate con cenetta a due. Sembrava di esser al mare a luglio tra il clima e i tanti turisti!
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@mannivu sei in grado di giocare a calcetto, non è da tutti! 😉
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@quinta @robross @phab @apex poi di recente ci sono stati problemi anche con Banca Etica che forse così etica non si rivela
https://www.avvenire.it/attualita/pagine/le-sanzioni-ad-albanese-non-puo-aprire-nemmeno-un-conto-corrente
https://altreconomia.it/le-sanzioni-contro-francesca-albanese-e-loccasione-persa-dalle-banche-italiane/
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Testaroli importati con successo sulla East Coast.
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@Bastacosi lo stato ebraico è un'invenzione (sionista) così come lo è il popolo ebraico.
Che poi a ben pensarci il popolo ebraico era l'obbiettivo dei nazisti, che hanno contribuito a crearne il mito.
Quindi credere all'esistenza di un "popolo ebraico" (detto anche "razza ebraica") è da nazisti.
E infatti cos'altro sono Netanyahu e il suo governo, democraticamente scelto dalla maggioranza degli elettori?
https://www.librerie.coop/libri/9791222313344-linvenzione-del-popolo-ebraico-mimesis-edizioni/
