Question for harp players:
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Question for harp players:
At quarter-note = 44, how hard is it to make all the pedal changes in this passage?
Is there a way of notating it to make it easier? Or if not, if I have to leave out or change some notes, which ones are causing the most trouble?
Thank you!
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Still stick with Pino? Give LogTape a try!
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@aeva The traditional chorus effect is sound + sound * vibrato. I always thought it was a sine wave vibrato, but others in this thread seem to be suggesting saw wave.
If the vibrato is balanced and starts with taking the pitch lower you’ll never need samples from the future. Right when the vibrato cursor catches up to the present, it’s time to get behind again.
So overall the formula is out[x] = in[x] + in[x + offset] where offset is a sine wave that starts at 0 and goes to -1 and back to 0.
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@epilanthanomai from reading the article it sounds like a saw wave + some noise, a feedback loop, and a lowpass filter might be able to produce something basic?
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@aeva saw wave through a formant filter: a two (or more) pole resonant low pass. https://en.wikipedia.org/wiki/Formant#Formant_plots
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Il Codex Atlanticus online
@milano - L'Ambrosiana ha una versione web interattiva del codice.
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idk how that usually works
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i wanna make a choir oooaaaooaaaaoooaoh synth voice
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For me, one day or less. Thanks everyone!
