La sera del 1° novembre 1975 Pasolini mangiava una bistecca e parlava del futuro.
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La sera del 1° novembre 1975 Pasolini mangiava una bistecca e parlava del futuro. Poche ore dopo era morto. Aveva appena previsto l'avvento del fascismo: non quello che tutti vedono ovunque, per isteria. Quello vero, molto più pericoloso di quello con le camicie nere. Cinquant'anni dopo, viviamo esattamente nel mondo che lui aveva descritto: lo aveva visto fin troppo bene. E forse lo hanno zittito proprio per questo.
https://www.futuroprossimo.it/2025/11/50-anni-senza-pasolini-il-futuro-che-vide-si-e-avverato-tutto
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@Migueldeicaza I was surprised to learn it's the highest earning film Pitt has made. I don't think it's his best but it's probably in the top five. Very entertaining, a classic sort of film. A little long, but good pacing, anyway. And, in a world where nearly all blockbusters are made for children, it's refreshing to see a big action movie not based on a comic book.
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Still stick with Pino? Give LogTape a try!
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@aeva The traditional chorus effect is sound + sound * vibrato. I always thought it was a sine wave vibrato, but others in this thread seem to be suggesting saw wave.
If the vibrato is balanced and starts with taking the pitch lower you’ll never need samples from the future. Right when the vibrato cursor catches up to the present, it’s time to get behind again.
So overall the formula is out[x] = in[x] + in[x + offset] where offset is a sine wave that starts at 0 and goes to -1 and back to 0.
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@epilanthanomai from reading the article it sounds like a saw wave + some noise, a feedback loop, and a lowpass filter might be able to produce something basic?
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@aeva saw wave through a formant filter: a two (or more) pole resonant low pass. https://en.wikipedia.org/wiki/Formant#Formant_plots
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Il Codex Atlanticus online
@milano - L'Ambrosiana ha una versione web interattiva del codice.
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Brad Pitt’s F1 movie had me glued to my seat. I could use more of this.
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idk how that usually works
